Maison de la Culture du Japon à Paris Collection Lambert en Avignon etc.
From 2017 to 2021
infos
I build dark, labyrinthine spaces Made of synchronized projections that cut into the night and the silence.
Shifting performative strategies, I work on the interrelationships between three movements: those of the images Floating in the dark, the shadows of the visitors and the bodies of the performers, which can interfere.
Conceived in situ, my works are linked to minority positions, experiences, affects or desires. Or, more precisely, they seek to engage visitors in a “becoming a minority”.
The images are projected onto rough veils, mirrors, glass wool or concrete. These textures rub the images, dull them. The photographic truth becomes uncertain. The projection becomes phantasmagorical material.
I believe in the political and poetic power of shadow theaters and murky architectures.
infos
I build dark, labyrinthine spaces Made of synchronized projections that cut into the night and the silence.
Shifting performative strategies, I work on the interrelationships between three movements: those of the images Floating in the dark, the shadows of the visitors and the bodies of the performers, which can interfere.
Conceived in situ, my works are linked to minority positions, experiences, affects or desires. Or, more precisely, they seek to engage visitors in a “becoming a minority”.
The images are projected onto rough veils, mirrors, glass wool or concrete. These textures rub the images, dull them. The photographic truth becomes uncertain. The projection becomes phantasmagorical material.
I believe in the political and poetic power of shadow theaters and murky architectures.